Now, unlike my illustrations, my portraits are more distorted. Klee's portrait Senecio (1922) is like my portraits. While they are all freely distorted, but still representational portraits, I don't move the facial features in my portraits. In Senecio, he moves around the person's eyes, and the person's face is made up of shapes. However, Klee's Senecio and my portraits are the same in one way: the upper body of our figures is freely distorted but still representational. Like him, I use the devices of abstraction to express my experiences.
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